New Year’s

Alexandria Hall

He says, you’ve been crying. I can tell

by the wet spot on your pillow. I say,

it was more like leaking, just something

eyes do. We danced inexpertly at the party


among his friends and family, two bodies

taught by years of proximity to move

forgivingly, in accord. A little stain of light

like a watermark held on to the darkness.


I watched it from the terrace. Life moved

around me, as usual. Glasses clinked. Arms

embraced. In the lights, far away and

unusually near. I am happy now, I thought.


He says, do you want to talk about it? I say,

it’s just the rain. Sounds rose up from the town

below. Dogs barking at various distances.

That was last week. New Year’s. Before


we came home. Before it came home to me,

at night in our bed—this feeling without

object—and woke me. Before it left me

again, as I know it will, as it is doing now.


What surprised you about the composition of this poem?

I wrote this poem in early January 2023. I don’t usually treat the New Year as a particularly meaningful demarcation of time, yet when I sat down to write, what came out was this depiction of two scenes on either side of the New Year. To me, these two moments are not altogether discrete; they resonate within one another. I think the compression of the lyric allows for the most faithful representation of the experience of time. I’ve come to realize that the poem also depicts two intimate relationships: one between two people, another between a person and a feeling, or perhaps a part of herself, the darkness that follows her into the New Year, yet which, just as surely as it returns, will leave again. I felt it leaving as I wrote this poem.

Alexandria Hall is the author of Field Music, a winner of the National Poetry Series. She lives in Los Angeles.
Originally published:
January 8, 2025

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